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Peavey 2015

el Jue 22 Ene - 7:29
Reputación del mensaje :100% (1 voto)
Peavey Electronics® Releases 50th Anniversary Commemorative Amplifiers

The 50th anniversary 6505 Plus head Features include:



120 Watts
Preamp: 6 - 12AX7s
Power amp: 4 - 6L6s
Footswitchable lead/rhythm channels
Effects loop
3-band EQ
Resonance and presence controls
4, 8, or 16 Ohms

50th anniversary Classic 30 112 combo Features include:


Genuine Spring Reverb with level control
Pre- and post-gain controls on lead channel
External speaker capability
Footswitches optional
30 Watts (rms) into 16 or 8 Ohms
2-channel preamp
Footswitch selectable channel switching, reverb and boost
Four EL84s and three 12AX7s
12 inch Blue Marvel® speaker
Effects loop


Peavey Electronics® Introduces All-New Dark Matter™ Speaker Enclosures



DM™ 112/DM™ 115 Features:
Two-way bi-amplified powered speaker system
12” heavy-duty woofer
DX™14 compression driver, with 1.4 inch titanium diaphragm
Fan cooled for maximum reliability
Exclusive Quadratic Throat Waveguide™ technology, 110 by 80 degree coverage
XLR/1/4” TRS input
A Mic/Line switch provides for two different gain settings
XLR output
Rugged plastic injection-molded trapezoidal enclosure
Cabinet has rear corner angled sides for floor monitor use
Full-coverage perforated steel grilles with powder coat finish
Pole mount molded-in for 1 3/8” diameter poles
DM 112 Dimensions (HxWxD): 25.13” x 14.63” x 14.38; Weight: 37 lbs.
DM 115 Dimensions (HxWxD): 27.94” x 16.75” x 15.06; Weight: 42 lbs.


DM™ 115 Subwoofer/DM™ 118 Subwoofer Features:

Vented bass powered subwoofer enclosure
15” heavy duty woofer
Power amp has forced air cooling for maximum reliability
Internal line level low-pass/high-pass crossover network
Fully adjustable KOSMOS® for increased bass impact
XLR/1/4” combo jack input
Two high-pass XLR outputs, one full range thru XLR output
Phase switch for phase reversal of subwoofer
Ground lift for lifting cable shield from ground
Full-coverage heavy-duty perforated steel grill
Steel handles
Compact dimensions for a 15” woofer based sub
Threaded pole mount with speaker pole included
DM 115 Subwoofer Dimensions (HxWxD): 24.25” x 16.75” x 23”; Weight: 71 lbs./32.2 kg.
DM 118 Subwoofer Dimensions (HxWxD): 25.75” x 19.75” x 23”





Peavey Electronics® Introduces 6505® MH Mini Head Guitar Amplifier



Features:

2x EL84 power tubes and 3x 12AX7/ECC83 preamp tubes
Two footswitchable channels with three-band EQ
Footswitchable crunch on Rhythm channel, footswitchable reverb, footswitchable buffered effects loop
Tube Status Indication (TSI™) circuit
Impedance switch for 16 or 8 ohm cabinets
MSDI™ Output with XLR and ground lift switch
USB Output
Speaker defeat switch
Headphone output
Attenuator switch for 20 Watts, 5 Watts or 1 Watt output power


Peavey Electronics® Unveils Classic® 20 MH Mini Head Guitar Amplifier



Features:
2x EL84 power tubes and 3x 12AX7/ECC83 preamp tubes
Two footswitchable channels with three-band EQ
Footswitchable volume boost on both channels, footswitchable reverb, footswitchable buffered effects loop
Tube Status Indication (TSI™) circuit
Impedance switch for 16 or 8 ohm cabinets
MSDI™ Output with XLR and ground lift switch
USB Output
Speaker defeat switch
Headphone output
Attenuator switch for 20 Watts, 5 Watts or 1 Watt output power


Peavey Electronics® Announces David Ellefson ReValver™ Artist Bundle



Un bundle para el Peavey’s ReValver 4 amp modeling software


Peavey Electronics® Announces ReValver™ ACT™ Profiler



Peavey is proud to introduce the ReValver ACT Profiler. Expanding on the proprietary ACT cloning technology, this new module gives users the ability to capture and extract the sound of any amp and store the captured profile as a preset.

“Our goal with ReValver has always been to constantly innovate and push the envelope. We feel that ReValver represents the pinnacle of amp modeling technology and our ACT technology adds a whole new dimension to the capabilities of amp modeling software,” said Peavey Electronics founder, Hartley Peavey. “The ACT Profiling module marries these technologies to allow our users to capture the heart, soul and essence of their favorite amps, giving a whole world of tone options.”

The ACT Profiler module analyzes the target amplifier – capturing the unique tonal characteristics of the amp, speaker, and microphone – then applies the profile to ReValver’s best-in-class amp modeling engine to create an amazingly accurate model. The newly captured amp profile can then be saved and loaded back into ReValver at any time or shared with the ReValver community.


Peavey Electronics® Introduces RBN™ Series Speaker Enclosures



RBN™ 110/RBN™ 112 Features:

Two channel XLR/1/4" combination inputs
Mic/line level selection
1,500 Watts peak power output
On-board advanced digital signal processing
Processed thru output enables DSP to be used with external subwoofer
Direct thru output with combine function
12" dual voice coil neodymium Scorpion® woofer with field replaceable basket assembly
Proprietary 120mm true Ribbon high frequency driver on low-coloration wave guide
Two-way, bi-amplified, optimized loud speaker system
Digital compression/limiting
9-band EQ
Bass enhancement
Delay 0-150ms
5-Year warranty
Power amp VU meter with LCD display
Internal temperature monitor
Auto power off
Setup wizard for easy configuration
Program EQ presets
Side and top handles
Ultra-braced molded enclosure
Multiple side and top fly points
RBN 112 Dimensions (HxWxD): 24” x 14.07” x 14.07”/609.6mm x 357.4mm x 357.4mm; Weight: 39 lbs./17.7 kg.
RBN 110 Dimensions (HxWxD, approx.): 21.5" x12.5"x 12"

RBN™215/RBN™ 118 Powered Subwoofer Features:

Two channel XLR/1/4" combination inputs
Mic/line level selection
2,000 Watts total peak power
On-board advanced digital signal processing
Processed thru output enables DSP to be used with external speaker cabinet
Direct thru output with combine function
Dual 15" woofers
Digital compression/limiting
9-band EQ
Bass enhancement
Delay 0-150ms
Assignable crossover
Power amp VU meter with LCD display
Internal temperature monitor
Auto power off
Setup wizard for easy configuration
Heavy-duty locking casters
Ultra-braced cabinet assembly
5-Year warranty
Power amp forced air cooling for maximum reliability
Ground lift
Pole mount
Heavy-duty steel perforated grille
RBN 215 Dimensions - In use position (HxWxD): 32.88” x 22.07” x 24.75” / 835.2mm x 560.6mm x 629mm (not including wheels, 4.06” / 103mm deep); Weight: 125 lbs./ 56.7 kg.
RBN 118 Dimensions - In use position (HxWxD): 27.5” x 20.25” x 23.3” / 698.5mm x 514.4mm x 591.8mm (not including wheels, 4.06”/103mm deep)


Peavey Releases the VYPYR® Pro 100 and Sanpera® Pro Footcontroller



VYPYR® Pro 100 Features:

Over 100 different amp, effect, stompbox and instrument models
Advanced WYSIWYG (What you see is what you get) interface
Four selectable tone model modes with LCD
Real time control over Delay and Reverb
Real time model parameter control
Advanced bi-directional USB connector
On-board Tap Tempo
Studio quality headphone out
MP3/CD/Aux input
MIDI
Analog TransTube® preamp
100 Watts
Custom voiced 12" speaker specifically designed for modeling
Over 500 user assignable presets
Multi-parameter effects control
Dual DSP’s for processing speed and capability
Power Sponge™ output power adjustment
On-board chromatic tuner
On-board overdubbing looper (with optional Sanpera® footswitch)
Effects loop
3 adjustable noise gates
Multiple delay and reverb types: tape delay, tube delay, multi-tap delay, modulation delay, analog delay, digital delay, plate verb, room verb, cathedral verb, hall verb, tile verb, gated verb, spring verb
Presence and Resonance adjustment
Assignable input attenuator
Built-in microphone simulated direct out
MIDI output for connecting to and changing presets on the AT-200 guitar (Note: additional software required, available at www.autotuneforguitar.com)

Sanpera® Pro Footcontroller Features:

2 expression pedals
Direct access to all 4 models, plus delay and reverb
Boost switch
Tap tempo
Chromatic tuner
Full looper controls
Expression pedals assignable to up to 3 parameters and are range definable
Self-powered via VYPYR® amplifier
MIDI output for connecting to the AT-200™ guitar—for changing presets on the AT-200 guitar. (Note: additional software required, available at www.autotuneforguitar.com)



Peavey® Unveils Headliner™ 1000 Bass Head



Headliner™ 1000 Features:

1,000 Watts RMS (1,500 watts peak power)
Seven-band graphic EQ
High and low EQ controls
Pre-shape contour switch
Bright switch
Active/passive pickup switch
Footswitchable optical compressor
Footswitchable crunch
Effects loop
Master volume
Headphone output
Exclusive DDT™ speaker protection
XLR direct interface
Combination twist-lock and 1⁄4" external speaker jacks
1 1/2 rack space
Dimensions (HxWxD): 2.813” x 17.375” x 12.5”
Weight: 10 lbs.



Peavey® Releases MiniMAX™ 500 Watt Bass Amplifier Head



MiniMAX™ Features:

500 Watts RMS into 4 ohms
DDT™ speaker protection
Pre-gain control with TransTube® gain boost
3-band EQ with Punch, Mid-shift and Bright controls
Psychoacoustic low end bass enhancement
Built-in direct output with ground lift and pre/post switch
1/8" aux input
1/8” phones output
Chromatic tuner with speaker and DI mute
Two twist-lock combo 1/4" outputs
Built-in effects loop
Active and Passive inputs
Dimensions: 10.75” width x 3.25” height x 6.625” depth
Weight: 5.6 lbs.
Comes with carrying bag


Peavey Electronics® Unveils MiniMEGA™ 1000 Watt Bass Amplifier Head



MiniMEGA™ Features:

1,000 Watts continuous into 4 ohms (1,500 Watts burst power)
Gain control with crunch button
Built-in optical compressor with defeat switch
4-band EQ with Punch and Bright switches
Mid controls feature semi-parametric control with narrow Q controls
Built-in KOSMOS® bass enhancement and psychoacoustic sub controls
Master volume with mute control
1/8" headphone output
Two twist-lock combo 1⁄4" outputs
Tuner output
Effects loop with bypass
DI output with XLR & 1⁄4" outs. DI pre-post switch, ground lift and Pad controls
MIDI footswitch input
User-definable control surface color lighting
Foot-switchable crunch, compressor, KOSMOS®, FX loop, and mute
DDT™ limiter
9 lbs.
Comes with carrying bag

Peavey Electronics® Releases XR®-AT Mixer



XR®-AT Mixer Features:

1,000 Watts RMS, 1500 Watts peak power
Digital effects
Exclusive MidMorph® EQ
Dual 9-band main graphic EQs
FLS® exclusive feedback detection circuit
7 channels with individual compression capability
Antares® Auto-Tune®
USB MP3 player
8 combination XLR/1/4" inputs
Assignable stereo power amp
KOSMOS® low-frequency enhancement
Bluetooth® capability
Subwoofer line output
Effect to monitor return control
Monitor send on mic channels
Input pads
Analog record output capability


Peavey Electronics® Unveils XR®-S Mixer



XR®-S Features:

1,000 Watts RMS, 1500 Watts peak
Digital effects
MidMorph® EQ
Dual 9-Band Main/Mon Graphic EQ
FLS® exclusive feedback detection circuit
3-Band EQ per channel
USB MP3 Player
8 Combination XLR/1/4" inputs
Footswitchable master mic mute
Bluetooth® capability
Subwoofer line output
Effect to monitor return
Monitor send
Input pads
Analog record output capability
Front panel effects defeat
Footswitchable effects defeat
Individual signal and clip detection LEDs
Line level monitor output
Four twist lock outputs
Optional rack mount kit available
KOSMOS® bass enhancement
Selectable Main/Main or Main/Monitor power amp modes


Peavey Electronics® Unveils PV® AT Series Mixers with Antares® Auto-Tune®



PV® 14 AT / PV® 10 AT Mixer Features:
4 Channels of Antares® Auto-Tune®
8 Channels of reference-quality mic preamps
8 Direct outputs for recording
Bluetooth wireless input
Built-in digital effects with LCD display
USB to PC for recording and playback
MP3 playback via USB A input
KOSMOS® audio enhancement
Global 48 volt phantom power
Dual selectable control room outputs
4 channels of compression
High impedance guitar preamp
3 -band EQ per channel with bypass
Channel mute buttons
LED clip, signal, mute indication
Master level LED meter bridge
Precision 60mm faders on input channels and stereo master outputs
New slim, low-profile design
Convenient tablet cradle




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Puro Pinchi Rooooc®
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Re: Peavey 2015

el Dom 25 Ene - 22:17
Reputación del mensaje :100% (1 voto)
El de Peavey es tal vez el logo mas feo que he visto en una marca. Luego lo cambiaron y cómo habrá salido el asunto que mejor regresaron a este. Pocos productos de esa marca he escuchado que suenen mal, entre ellos esa infame serie transtube que de veras suenan feos. Como si encargas que alguien mas diseñe tu producto para que te eche a perder la reputación.
El 5150 es tal vez el mejor ampli de hi-gain que alguna vez he calado (que he calado, no que exista, eh, haters?) y la limpieza y redondez del producto impresionan. Cualquier cosa que le hagan para superar ese sonido es ya un exceso, pero todo tiende a renovarse y luego regresar. Justo como ese feo logo no te metas en mi vi

Mi primer ampli, por cierto, fue un Peavey MicroBass. Una chulada de aparatejo que a la fecha recuerdo como el mejor ampli de bajo que he tenido por la relación calidattt/satisfacción/sonrisa/precio :3
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Re: Peavey 2015

el Lun 26 Ene - 23:11
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Se pulieron estos canijos este año, los speaker me latieron y esos mini head no se diga, de buen provecho la NAMM en esta ocasión para la compañía
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Re: Peavey 2015

el Mar 27 Ene - 7:50
Si, los mini heads se ven de lujo, con buenas caracteristicas, lo que no recuerdo es el precio, pero no estaban tan descabellados.
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Re: Peavey 2015

el Mar 27 Ene - 9:08
@victorhdiazleon escribió:[quotelink="/t6708-peavey-2015#77453"]

Mi primer ampli, por cierto, fue un Peavey MicroBass. Una chulada de aparatejo que a la fecha recuerdo como el mejor ampli de bajo que he tenido por la relación calidattt/satisfacción/sonrisa/precio :3

concuerdo con el arqui :3
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Re: Peavey 2015

el Mar 3 Feb - 8:56
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@victorhdiazleon escribió:[quotelink="/t6708-peavey-2015#77453"]El de Peavey es tal vez el logo mas feo que he visto en una marca.

de acuerdo

Están monos los head, pero me quedo con el 5150 (espero este año se me haga con uno)

Peavey siempre a sido equipo de uso rudo. cuando tocaba en grupo, siempre cargaba el PA, bafles, mezcla y el clásico CS800 que nunca te dejaba tirado, por madreado que estuviera,
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